I'm slightly trapped for technique at the moment- not sure whether to stick with wet and splooshy painting, with the light shining through from the unpainted canvas or paper, or press on with something more like an oil-painting method and paint in the lights with thick and creamy colour.
Here's a bustard from the Hungary trip, looked promising when mapped out in wet, but hasn't quite turned out as richly as I had hoped in the final version. Still a marvellous beast though, as stately and monumental as the church behind.
Great Bustard, Kiskunsag |
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